

You get more processing blocks and routing options with Helix Native as the stomp is limited to 6 blocks and 2 paths. Store Recommended Global Settings / FAQ Axe-FX III Presets Fractal FM9 Presets Fractal FM3 Presets Helix Floor/LT/Rack Presets POD GO Presets Helix Song-Specific Presets HX Stomp. If you have an active bass you will need to lower the level on the compressor block so that the amp block is not getting hit so hard. The four-cable mode allows selected effects to be deployed in an amplifier's effects send/return loop, and there's a TRS jack that allows two. Essentially, the HX Stomp can be thought of as a half-power Helix - it runs the same algorithms and offers similar features, but it can run a maximum of six processing 'blocks' simultaneously. There would be some minor latency between these 2 so you'd have to drag regions or use a plugin to phase align the wet and dry signals.Overview. The 3rd option is to use a hardware DI box with a through and plug into that first it's XLR out becomes your dry signal and then it's through to your stomp and then it's outputs are your wet signals. That’s at least 4 stages of compression if you count the pre and power amps separately, and that’s what is eating up your dynamic range. You have a boost, going into a ts, going into an amp model. Honestly it’s probably more to do with how you set up your tone than the helix. However, if you're after a "simpler" setup, amp/cab model, a few. For extra footswitches, the HX Stomp XL is maybe a better option. The HX Stomp is a compromise because of the footswitches & connectivity (compared to a Helix Rack / Floor / LT), but it offers the ability to have parallel processing (more than one chain of amps/effects/etc.).
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The HX Effects is able to recreate a huge library of vintage and contemporary pedal‑style effects using component‑level modelling: the device packs in over 100 Helix effects, plus a number of M‑Series and other legacy effects that encompass the more obvious distortions, delays, reverbs, compressor/limiters, mod and pitch effects, but also. A typical starting point is Lo X Freq = 300Hz and Hi X Freq = 1.5kHz, so the midrange band covers 300Hz to 1.5kHz. Adjust the Lo X Freq and Hi X Freq controls to focus on the midrange. Set the Lo Gain and Hi Gain controls to -60.0dB and the Mid Gain control to 0.0dB.

Same amp/cab/effects models as the Helix (IIRC, there's only 3 or 4 effect models missing), same great sounds, but in a gig friendly format. However, if you're after a "simpler" setup, amp/cab model, a few effects, but no parallel processing, then the POD Go is ideal. $81.25For extra footswitches, the HX Stomp XL is maybe a better option. Line 6 HX Stomp Multi-Effects Processor Pedal $649.99. They recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the SYB-3. Check out our overview of the Boss CS-3 Compression Sustainer Pedal: About Boss Pedals.
